Whats does the song black beatles mean
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To be the lucky one to express that, it moves me every damned time.“Don’t you know that you can count me out/in” To say: ‘Whoever you are, if you need some solace, I will try to be a moment of sweetness for you,’ this kills me. “And every time, I get a little visitation of the power of a great song. Garfunkel says: “We’re strong in our musical opinions, and we’ve had lots of differences, but we’ve remained pretty damned gentlemanly all the way.” I wrote that.’ In the earlier days, when things were smoother, I never would have thought that, but towards the end when things were strained, I did.” As Simon said: “Many times on stage, when I’d be sitting off to the side… and Artie would be singing it, people would stomp and cheer when it was over, and I would think: ‘That’s my song, man. Ironically, this song of fellowship contributed to Simon And Garfunkel’s break-up in 1971. As if to prove its meaning to be truly international, the song has been translated into many languages and been covered by hundreds of artists, including Johnny Cash, Annie Lennox and Bonnie Tyler. claiming six awards including Song Of The Year and Record Of The Year. The duo’s biggest hit, Bridge Over Troubled Water spent six weeks at No.1 in the US (three weeks in the UK). The Story Behind The Song: Bryan Adams' (Everything I Do) I Do It For You.The Story Behind The Song: Heroes by David Bowie.The Story Behind The Song: White Rabbit by Jefferson Airplane.The Story Behind The Song: A Horse With No Name by America.But Columbia Records head honcho Clive Davis declared: “It’s the first single, first track and title of the album.” It was also five minutes long, which guaranteed no radio play. Two weeks in the making, Bridge… was a dynamic tour de force, swelling from a cathedral hush to a deeply moving finale that left all who heard it teary-eyed. But the first verse, in its delicacy, was the Devil’s business. Getting the middle verse was pretty easy too. “The last verse I nailed because of the thrill of pole-vaulting over the high notes. With the instrumental track done, Garfunkel spent a week perfecting his vocal. I was on my knees in front of the snare, pulling the tyre chains across the head, and slapping them down on two and four. So I went out to my car, got my chains from my snow tyres, and overdubbed the ending section. What a neat thing, to save it, save it, save it, then give ’em the kitchen sink.” Simon wrote a third verse (“You could clearly see it was written afterwards,” he says), making room for a kitchen sink that included two bass parts, vibraphone, a string arrangement (“A bit stock, but it does the job,” Garfunkel says), and a thundering beat, courtesy of Wrecking Crew drummer Hal Blaine.īlaine recalls: “The image I got when I heard the song was a black man in a chain gang. “We modelled it after the Righteous Brothers’ Ol’ Man River, where Phil Spector holds back his production until the last line. “It was supposed to end with the second verse,” Garfunkel recalls, “but there seemed to be a promise of what could be if Paul were to extend the song: the whole production could open up, and we could make a record with real size. But it soon became apparent that Simon’s two-verse song wasn’t quite finished. Within a week the duo were in CBS Studios in Hollywood, huddled around a piano with session ace Larry Knechtel, chiselling out the finer points of the arrangement. He said: ‘No, I wrote it for you.’ I said: ‘Thank you, man,’ and got into singing it.” I don’t remember him having a hard time with my grace. “Now, the famous story is that he took offence and that became a thorn between us, as if I was rejecting the song. My way of saying thank you was: ‘Are you sure? Because you sound lovely singing it, and it’s almost like you could do it…’ Today Garfunkel remembers it differently: “When Paul showed me Bridge Over Troubled Water, he did say it was for me. And many times I’m sorry I didn’t do it.” “He didn’t want to sing it,” Simon told Rolling Stone in 1973. With its sweeping melody and sustained high notes, it would be perfect for his partner’s choirboy-pure voice. Simon couldn’t wait to play his new song for Art Garfunkel.